Chipping: Is it classic?

By Tom O’Halloran

Chipping, I’ve always been fascinated by this topic. Artificially altering the rock with drill, chisel or glue to create holds and movement that didn’t naturally exist. People’s threshold of what constitutes chipping, varies as wildly as political position. Where you ethically etch your line in the stone is not a conversation for now however. The fact is, it’s here and it’s created some stonker pieces of climbing.

 

Before you throw a 16mm drill bit at me, I’d like to get one thing straight. I’m a natural kinda guy. I don't like fake. What nature has provided us to be mesmerised, tormented, psyched and fulfilled by will never be surpassed. However, some folks across the years have taken it upon themselves to enhance or manipulate an experience. Is it a kin to an archaic, analog Virtual Reality? 

Antoine le Ménestrel on his La Rose et le Vampire. P Unknown.

Antoine le Ménestrel on his La Rose et le Vampire. P Unknown.

 

The birthplace of chipping, no one will ever know, though it certainly became commonplace during the 80’s. As climbers began using bolts to climb rock faces which weren’t protectable on natural gear.

 

If a climb has enough cracks, slots and features to be protected by nuts and hexes, it’s safe to assume there’s probably room to wriggle your fingers into something. With the introduction of bolts, the previously unprotectable ‘blank’ faces, began to be explored.

 

When there’s no cracks to jam your digits in, climbers become reliant on different features to get themselves up the wall. If a hold isn’t big enough or perhaps just non-existent, maybe the rock is paid a visit by Commander Hammer and Captain Chisel. Is this a lack of imagination from the route equipper? Impatience by lowering the route to their current level? Greed for stealing it from future generations? Or breathing life into the stone to create a classic? No matter the reason, it’s happened, is happening and will continue to.

 

Wolfgang Gullich, on ‘the move’ on La Rose. P Thomas Ballenberger

Wolfgang Gullich, on ‘the move’ on La Rose. P Thomas Ballenberger

What intrigues me is where these routes or boulders sit in the context of history.

 

La Rose et le Vampire is perhaps one of the most famous sport climbs in the world. An overhung pocketed wall at Buoux in the South of France. It was the fourth route in the world graded 8b/31 and first climbed by Antoine Le Menestral in 1985. The description for the route reads ‘chipped, but chipped well.’

 

Thirty five years on, the route remains a prized ascent. Climbers travel from the other side of the world, spending thousands of dollars and countless hours training in the hope they can become a part of the routes history and list of ascentionists. It’s an artificially enhanced experience but gives purpose to those climbers and a memory they’ll have forever. La Rose only contains a few chipped holds to bring the line to life.

 

On the extreme end of the spectrum, we have Le Bronx, 34/8c+ climbed by Francois Petit in 1994. In a great little clip from 2016, top British climber, James Pearson, describes the route brilliantly. ‘A masterpiece, truly visionary, with only 3 natural holds out of 30.’ Yep, that’s right, only 10% of the holds on this climb existed before the equipper set his sights on the wall. There can’t be that many other routes rockin’ this kind of ratio. Regardless, plenty of top-level climbers have travelled to the crag to climb this route. It’s not a random French obscurity, it’s legendary history that continues to inspire.

 

I surely don’t need to go into all the positives of having climbing in your life; you know them as well as I do. However the purpose and excitement you feel when you’re frothing on your up coming trip or project is hard to overstate. It’s an all out froth fest. A lack of purpose is a huge factor in making people feel unhappy in life. If a chipped route provides you or someone else with purpose, does this justify the sin? Does the end justify the means? 

I’ve watched a lot of hard climbing go down in my life. There’s an intensity the climbers have which you don’t see from others. It may be fun and laughs on the ground, but as soon as it’s go time, watch out. Beastmode engage, they’re here for business.

James Pearson adding a touch of the old with the new. Le Bronx. P Francisco Taranto

James Pearson adding a touch of the old with the new. Le Bronx. P Francisco Taranto

Once I was hanging at the crag and watching a group of climbers trying a route. The climb is a classic and at the time it was first done, represented the top level of difficulty. The ethical asterisk hovers at the end of the climb however, *it’s chipped. The climbers knew this was the case, but they were still there, chalking up their hands and giving it everything.

Watching the climbers sinking their teeth into the process looked no different to any other natural route. They were trying bloody hard to get to the top. A couple of them had already done multiple six-hour return trips from home to try and climb it. That’s not insignificant levels of motivation.

 

The asterisk is there though, hanging like a bad smell. When describing climbs, it generally doesn't take too many sentences to find out if something’s been enhanced. I’d argue there’s not a climber who wouldn’t prefer to have the natural experience. But to have nothing at all? You don’t know what you don’t know. But knowing what once was, is a tough pill to swallow.

All these climbs are now slices of history and considered ‘classics.’ But where do the modern, chipped routes sits? It’s pitchforks and burning at the stake these days. I wonder how will we view them in three decades. Will some rise above the rest to join the older classics or is it the context and point in time in which they were chipped, that allows the older routes discretions to be forgiven? Perhaps a few will make it through? Though the radically changing ethics and approaches we’ve seen shift in the past few years, may hold these new routes accountable. It’s hard to know without the crystal ball. To a degree I liken chipping to performance enhancing drugs. When you chip, you artificially advantage yourself to perform better against the challenge. It’s interesting when we look at sport; when the challenge is against another human, drugs enhance the level. When the challenge is against the inanimate, the inanimate is enhanced. There’s a need to conquer the here and now. 

 

It’s also worth keeping in mind the context in which the routes were chipped. As I say earlier, it was entirely common practice in the 80s and 90’s. Some of this may have been as an attempt to enhance the climber’s chance of success and some due to necessity. Climbing gyms weren’t a thing back then, yet climbers still wanted to train. Why not find a blank section of cliff somewhere and tap in a few holds? Just a few routes for laps for you and the few others.

 

Thirty years later, modern climbers don’t seem to be able to empathise with climbers of the past. Poor/mainly chipped, is logged on their 8a.nu scorecard. Not knowing this was where the locals used to train, before a cultural shift in chipping ethics and early home walls.

 

I also think we need to keep in mind, with all these ‘discretions’ from the past, that climbing was an entirely different sport. Heck, no one was even calling it a sport back then. Climbing was only a few people, hanging out in the shadow of an obscure cliff, climbing routes their buddies had put up. There was no foretelling climbing was going to develop into the multimillion dollar, gym in every suburb, Olympic sport. It was you, Gary and Sally, hanging out each weekend.

 

Back to chipping though and lets spin things around for a minute. Rather than turning what wasn’t there, into what is. What about what was there and now isn’t. You following me? What happens when an existing natural route has a hold, break? An edge breaks off in the middle of the crux of a classic 26/7b+. There’s nothing left behind. What was once a classic and right of passage, is now gone. The steel is left hanging in the wall, a sad reminder of what was. Could you justify gluing that old edge back on? Or, could you entertain the idea of someone creating a new, replica hold where the old once hung? In not doing so, have we robbed every future generation of the experience you had? Now it’s up to someone to go up with a grinder and chop out the bolts of what was once one of the best in the land. That’s a sad day.

 

Yes, accepting how time and the world evolves is a part of moving through the years. Perhaps what makes something special was how fleetingly it was there and we need to come to terms with this. Acceptance is growth.

 

Having said that, I really don't want to live in a world where there’s no Punks in the Gym. Do you?

The ‘Birdbath’ hold on Punks in the Gym. There may not be a more famous hold in the land? No, it’s not been ‘chipped’ from nothing, just reinforcing what was once there. P Simon Madden

The ‘Birdbath’ hold on Punks in the Gym. There may not be a more famous hold in the land? No, it’s not been ‘chipped’ from nothing, just reinforcing what was once there. P Simon Madden

Best climbing movies ever

By Tom O’Halloran

I can’t remember the last time a climbing video made my hands sweat as hard as they did four mornings ago. I watched Mellow climbing’s latest YouTube upload A Mellow Ticino ‘I Mostri’ 2/4. They’ve been throwing down some awesome stuff since day one, but this edit was next level ridiculous! Kevin Takashi Smith edited the clip and although he claims to be a stills guys, his eye for putting together moving pictures is pretty insane! It leaves me feeling as psyched and frothed to go climbing as I can ever remember; back to the pure, non-cynical froth of 16 year old Tom.

This got me thinking, what are the best climbing films of all time? Now there’s a ton of metrics we can measure by. The one I measured against is, in my opinion, the most important. How much do you want to climb after watching? It also has to be a feature length, not a part of, youtube clip etc etc. Proper full length, finger tip sweater from start to finish.

Get your chalk bag ready, time for your hands to sweat and froth to pop. These are the best! 

The Real Thing - 1996

I don’t want this to be a ranked list, but if it was, The Real Thing is number 1 by a mile. The tag line for the movie is Ben Moon and Jerry Moffat on the ultimate bouldering road trip. It’s not far from the truth. The film follows Ben Moon and Jerry Moffat who, at the time, were two of the best boulderers in the world. The English boys prep for their ultimate Fontainebleau trip with some local gritstone classics and doing burnouts in their sports cars. This was in a time before instagram and #vanlife and one I wish I could’ve been a part of.

They then shoot across the English channel only to find the boulders wet and unclimbable. No matter, more time to train, back to Sheffield. We see the boys go hard, busting out PB’s and having fun, the way it should be. Good weather is approaching and they are back across the channel. What follows is mouth-watering boulder crushing with guest appreances from Kurt Albert and Marc Le Menestrel.

It perfectly captures the essence of the road trip. Sending, falling, failing, shenanigans, lay days and banter. ‘Look at all the cauliflower he’s got,’ is one of my all time favourite quotes. Plus, did I mention it has the best sound track of any climbing movie ever. Unapologetic 90’s electronic beats. Plus Ben Moon has frosted tips, a hairstyle I don’t see coming back anytime soon, even ironically. 

Check it out here

 

Dosage 1 - 2001

The first climbing film I ever saw. You never forget your first and it has an impact beyond some froth. This film completely shaped my perspective of climbing. This was one of the first of the ‘modern’ style movies. Made up of ‘Doses,’ each telling a story of a person, group, place or climb. There’s Bishop bouldering with Chris Sharma and Dave Graham before they became legends, on boulders they made immortal. We see Klem Loskott bouldering in the Austrian Alpine, which is one part bone crushing climbing and one part philosophy. Perhaps aided by some alpine herb? Lisa Rands, the original lady of the boulders, sinks her teeth into the ‘guy boulders’ in Bishop and Ibex, paving the way for woman to get crushing on the blocs. You see what an old school boulder comp and the climbers looked like in the Bring the Ruckus part. It was a different world then, but one thing stays the same, a no-holds-barred throw down, winner takes all. Jason Kehl, remember him? He’s the unique character in the middle of the movie, going knuckles up on the tinniest edges on steep boulders somewhere in North Carolina. The guy is a strange mix of goth, punk and crazy artist. Not my favourite section, but it’s there and I usually don’t skip it like I do Ron Kauk’s part in Dosage 3. Has anyone ever been able to sit through it? Seriously? I’ve honestly, properly tried a few times and haven’t ever managed. Sorry Ron.

The cherry, cream, extra sprinkle rainbow of Doasge One is the final ‘dose.’ Send footage of Chris Sharma climbing the first ascent of ‘Realisation’ (now Biographie). The world’s hardest route, climbed by the world’s best climber is perhaps the most iconic footage ever. Look me in the eye and tell me you don't get chills when Chris hits the final jug and lets out that scream. I saw this film on my very first day of climbing and ever since have wanted to climb that route. It epitomises everything hard sport climbing is and will be. It’s beautiful.

Download the movie here

https://vimeo.com/ondemand/38740

 

Dai koyomada - 2017?

A small independent movie showing a Japanese man climbing short sport routes in Germany. Not exactly what you’d expect as one of the best, but trust me, it is. Dai Koyamada is one of the best climbers of all time and has seemingly not dropped his level in over two decades. He’s known mostly as a boulderer, having done dozens of  V15 and harder ascents. Including the first ascent of The Wheel of Life in the Grampians and many more brutal FA’s in Japan.

The film shows his incredible trip to Germany’s Frankenjura, an area notorious for tough moves on tiny pockets and edges. His list of hard ascents in such a short trip makes my tendons ache. He dispatches a slew of routes from 34-36 (8c+-9a+), culminating in his ascent of one of Germany’s hardest climbs, Corona 36/9a+. Watching his process on Corona is proper awesome!

The ferocity of the climbing is in complete contrast to Dai’s gentle natured approach and complete loveliness. It’s inspiring to see you don’t need to be going wild to unleash your best. Anytime your left to ponder a new idea or approach is a win in my book.

I guarantee you haven’t seen this one and I promise you won’t regret it. Plus, your movie money goes straight to Dai. Climbers supporting climbers. Win, win, win, win, win.

Download the movie here:

https://vimeo.com/ondemand/frankenjura

 

King Lines - 2007

This is Chris Sharma at peak Chris Sharma. He’s 26, already has his name in the climbing hall (wall?) of fame and is pushing the limits further. The film follows Chris over a year or so as he travels the world, searching for the ‘king line.’ It’s a wild insight into the life of a pro climber. He lives out of a bag, not spending more than a couple weeks at home each year.

We watch Chris deep water soloing in Mallorca, bouldering in the deep jungle of Venezuela, bolting and climbing a new hard first ascent in Ceuse and working moves on what later became the first 37/9b, Jumbo Love.

The King Line of the movie being his first ascent of ‘the arch’ project. An insane rock arch above the sea, stood alone off the coast of Mallorca. Aside from being incredibly hard and eye wateringly aesthetic, the climb features the iconic all-points-off dyno at mid height. There’s some wild falls as Chris put in the days working the arch. Despite the falls, Chris put Mallorca on the map and there’s not a climber that didn’t want to do moves above the water after watching this.

We also see Chris developing a new shoe with his then new sponsor Evolv. Afterwards, he pops over and helps at his friends, kids summer climbing camp. Grass roots involvement isn't something we see too much from pros, it was pretty rad to see. 

The film is the modern day road (air) trip around the world. Who didn’t want to pack a bag for a year-long journey after this?

Check the movie here:

https://vimeo.com/ondemand/kinglines

 

 

Honorable mentions

Dawn Wall - 2017

Tommy Caldwell, the greatest Yosemite climber of all time, climbing the hardest big wall in the world. We see a very deep insight into his personal life and the climb that got President Obama’s attention. For personal story telling, this can’t be beat.

Check it on Netflix, YouTube movies, Amazon.

 

Free solo - 2018

I’m sure you’ve seen this. It won an Oscar! I don’t think a climbing film will ever make me feel the way this thing made me feel. I don’t know if I want a film to make me feel like that again. This completely blew everyone’s minds. Alex Honnold soloing Free Rider 27/7c, a 3200ft route up Yosemite’s El Cap is a mind-boggling feat. Some suggest this could be the greatest mental feat of all time.

What is perhaps more insane is how Jimmy Chin managed to build so much suspense. We know Alex makes the climb and no harm comes to him at all. He is there on the red carpet, touring the film. Yet through the entire movie you’re completely gripped he’s going to fall a kilometre to his death. There’s some type of magic here.

It’s probably the best climbing movie ever. But in no way did I want to climb afterwards! I was pretty psyched to go to Yosemite though.

Check it on Amazon, Disney+, Google Plus, YouTube movies.

 

 

Clips/sections

Break on Through: Margo Hayes - 2017

The redpoint story is a tried and tested formula. By 2017 it’s more like tired and testing though. A unique spin is hard to come by and I honestly wasn’t too frothed to watch this one. Figuring it would be some American pride, hammed up puff piece wrapped in a The North Face puffy jacket. WRONG!

As a 20min part in the Reel Rock tour, the piece is as much a personal look at Margo Hayes, a 19-year-old climber from Boulder Colorado, as it is about her record ascents. She’s one of the best climbers in the country, having already climbed 35/9a and won national championships. She books a flight to Spain with the goal of climbing La Rambla, 36/9a+. A grade no female had ever climbed. In the movie, the boys around her tell us the shock they felt when she showed up to the crag and put her rope at the base of one of the hardest routes in the world. She dispatches fairly quickly, becoming the first female to climb 36. The hunger remains, she’s not done, her sights are set on Biographie in Ceuse, France, the world’s first 36.

The real journey begins here. We see the full emotional depths of what it takes to push new ground personally and for the world. Her dedication to the route and faith in the process is truly inspiring. I’ll fully admit that as she hits the same finish jug Chris Sharma hit 16 years earlier, I cried. After watching this you’re left feeling like anything is possible and there’s not much that can hit you that deep.

The only reason this isn’t in the top list is because its not a full feature length movie.

Check it out here:

https://www.redbull.com/au-en/episodes/break-on-through-reel-rock-s04-e01

A Mellow Ticino ‘I Mostri’ 2/4 -2020

Despite everything happening in the world at the moment, we can rely on Mellow Climbing to keep us happy. There’s a ton of films on their youtube channel if you ever need inspiration. Check em out.

This film, part 2 of 4, shows Daniel Woods and Jimmy Webb working and crushing some of the hardest boulders in the world. The energy and grit these dudes have when they pull on is intense. You can feel through the screen how bad they want it! Plus the soundtrack is pretty fitting. I needed to burn off some steam after watching this one.

Last but not least, this has no climbing at all, but there is Wizardry talk from Dave Graham. Free your mind and listen to a stream of consciousness explosion about how to climb in a way you’ve never heard and will never forget. This is the secret.

What do you think? Did I get right? Let me know.

Peace xo

Review: the best fan for rock climbing

By Tom and Audrey O’Halloran

So you want to buy a fan for climbing. But what will you spend your hard earned cash on? Is the most expensive the best, is the cheapest the nastiest? With the help of a 6 year old, we got into the details and some fun tests to see what will be the best for you at the crag.

 

We review and break down what the best fan is for climbing. No one (that we know of) has got stuck into all the things us climbers need from our fans. We look at price, weight, functionality, robustness, airflow and how well it’ll fit in your pack or boulder pad.

 

There was one clear winner in the end.

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 The fans reviewed are:

Milwaukee M18 AF-0

Makita DCF102Z 18V

Ryobi R18HF-0

 

We’ve put together a table with some of the hard numbers as well as a summary of our test results.

FAN+REVIEW+Summary1.jpg

 

Since buying my fan, I’ve not looked back. To be able to dry my hands, blow fresh air on a hold and cool down my hot sweaty head on a steamy day has been a game changer.

 

Hopefully this video helps you in grabbing your next bit of kit!

Check what you're calling safe!

By Tom O’Halloran

Climbing is an inherently dangerous sport. We spend our lives climbing away from the safety of solid ground, throwing ourselves wildly across the side of cliffs, boulders or even the climbing gym walls. These are calculated risks with the right control measures. The rope is strong, my belayer is good, the pads are in the right spot, I know what I am doing.

 

The issues arise when we don't know what we don’t know or become complacent and overconfident. I’ve been on the stupid end of these mistakes a few times in life. Sometimes I got away with it and realised the catastrophe I avoided afterwards. Once I really truly fucked up and nearly killed a friend. I’ll tell that story another time though.

 

I wanted to write this because the other week I saw people throwing themselves wildly into the unknown. There’s this route, bolted on U’s in steep sandstone, it has a bouldery start and the first bolt is too high to practically work the steep starting sequence. Someone added an extra bolt to make the start easier to work. The issue was this bolt was a dyna on a carrot hanger in steep ground. In soft sandstone dynas aren’t strong enough to withstand the forces of climbing falls, however this isn’t half the problem.

 

People were working the start boulder from this first hanger. They’d fall onto the rope and swing about in the steep overhang. This bolt, due to the way it was placed, became severely deformed. It was a 90-degree hanger in a 45-degree overhang. I’ve attached a drawing below to show how the forces work in this situation, ultimately leading to the hanger being as dangerous as it was.

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The hanger was put under forces it wasn't designed for. When you use gear outside of its mode of function, something is going to give. You can see from the photos below how much damage has actually happened. There are fractures in the back of the hanger where it has levered against the nut on the dyna. You can also see multiple hairline fractures across the front of the hanger. No one in their right mind would knowingly trust their life on this, surely?

 

There is a serious gouge from the head of the bolt digging into the hanger. Also you can see several hairline fractures next to the gouge.

There is a serious gouge from the head of the bolt digging into the hanger. Also you can see several hairline fractures next to the gouge.

Both of the cracks you can see there go all the way through the hanger.

Both of the cracks you can see there go all the way through the hanger.

The contrast between the deformed and not

The contrast between the deformed and not

The crux of my story is that this hanger looked in no way similar to what you would buy from your local climbing shop. Yet multiple people kept using it. Why? It held last week so I’ll be fine today? That’s what everyone else does? Not knowing any better? If you see something that doesn’t look like it would in the shop, don’t use it!

 

We need to cast a critical eye on everything we use, like our life depends on it. Because it does! Be the overly cautious person who didn't break their legs. Accidents do and will always happen, it’s how life goes, but if we can avoid a few of them, then that’s a win.

I replaced this bolt with a glue in U so it’s now a much safer situation. I took the dyna and hanger out.

Here’s a few simple things to look out for in the wild:

·      Check perma-draws. They can become seriously damaged/worn very quickly. Both from use and UV exposure

·      Check bolts for wear, fractures, deformation

·      Check if nuts on hangers are done up tight

·      Check glue in bolts aren’t falling out or wobbly (it can happen)

·      Check your knot!

 

There are literally hundred, perhaps thousands of ways your climbing day can go wrong. It’s up to you to take things seriously and look after yourself, your friends and even the person at the cliff who may be about to belay off their gear loop. Yes I have seen that one.

 

Stay safe folks, asks questions and, as Chris Kalous always says, check your knot!

The roller stopped rolling and the rope cut this groove. Significantly more than 10% section loss. The quickdraw was at the beginning of a route, no one fell here so the wear is just when the draw was loaded during lowering. The edges were very sharp

The roller stopped rolling and the rope cut this groove. Significantly more than 10% section loss. The quickdraw was at the beginning of a route, no one fell here so the wear is just when the draw was loaded during lowering. The edges were very sharp

 

Here’s a little checklist to keep in mind.

Climbing equipment checklist.jpg

 Here’s a video showing UV damage to quickdraws. It’s a sobering reminder of the importance of inspecting perma draws. https://vimeo.com/27292874

Elijah Mercado - Motorhead V12/3 FA

Elijah Mercado is for sure one of the best boulders in the country at the moment and you probably haven’t heard of him. His list of V13 ascents in the last few years will make your eyes wider than diner plates. Think Cherry Picking, Ammagamma, The Last Resort, J1, X-Pinch, Mana, Manhattan Line, Substance of Everything, Genesis and Double Demerit, the guy throws them down like nothing.

Recently he added another one to the list by climbing the first ascent of an old Sydney project, Motorhead. We sent him a few questions to find out more.

Hey mate, awesome job on knocking off the first ascent of the Motorhead project. Can you tell us a little bit of the history behind the project? Was it one of those old school Sydney test pieces or a modern era discovery?

Cheers! Motorhead sits at a crag called “The Frontyard” which was found sometime during 2010. I don’t personally know the crew that developed the crag, but after all the development was done, Motorhead remained as an open project. 

 

What was the projecting process for you? When did you first try it and how did it feel? Did it put up a fight?

I started trying Motorhead during the winter of last year. I came in with no expectations, Sam had tried it briefly before and said that the rock was choss and that he kept breaking footholds. Thankfully, when I got there I was pleasantly surprised – what could have broken off was probably already broken off, and what remained was some quality Sydney sandstone. 

My first session I managed to stick the first hard move, a bunchy drive-by off a sharp left hand mini crimp-pinch sort-of-thing to a three-ish finger gaston crimper. The second hard move eluded me for quite some time. After doing the drive-by, you need to walk your left foot up just above your left hand, then lock reeaaaally hard to a decent left hand flake. Or so I thought…

below, sequence of the first hard throw to the gaston edge

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The send looked effortless. Was that how it felt? Or do you just have a good poker face?

Funny when that happens. I remember feeling real bouncy that morning, maybe last night’s dinner or the morning coffee kicking in. Anyway, I pulled on, did the drive-by, and instead of going for the deep lock off, I took my left hand off and arm pogo-ed up to the flake. Next thing I know, I was gracefully mantling (belly-flopping) to the top!

below, the arm pogo. there’s a new one to add to your bag of tricks ;)

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You told me it was probably hard V12 or easy V13. Our mate Liam Healy told me not to believe you, that it’s probably extremely hard V13 and that you’re ‘a strong idiot.’ Explain.

Grading is hard… You can try something for sessions on end and get absolutely shut down, but then on that one attempt, everything seems to just fall in place and you find yourself at the top wondering “how did that happen?” 

 

Are there any other projects around the Sydney boulders that you're keen to try?

how good is that feeling. you all know it!

how good is that feeling. you all know it!

I’ve got a few loose ends here and there that I should go and try finish off, other than those, I’d like to make my way back up the mountain and try finish off the “Cold Comfort Cuddle Machine” and “And the Ass saw the Angel”. Maybe not in the middle of winter though, I like having feeling in my extremities. 

 

 

When are you going to tie into a rope? There are some sick boulder-on-a-rope routes around. Anything you’ve seen that inspires you to learn to tie a bowline?

Lead climbing is hard and terrifying. I’ve only tied in a couple of times before, and even then it was in the safety of a gym, with a top rope also attached. I did nearly get psyched to go try “Sack of Woe” with the twins before though, until I learnt that clipping counts as a hard move, and there is a real chance of decking…

 

 

I’ve decided you and Liam and Sam Healy are the three muskateers of the Sydney bouldering scene. What’s it like having a psyched group of mates to train and session boulders with?

Pretty awesome. We’ve all got different strengths and weakness, so it helps a lot for training when you’re trying different woody boulders which aren’t in your own usual style. Climbing with such strong mates also gives you good motivation to try hard and continue getting stronger, possibly out of fear of the greatest disrespect one can experience – your project being flashed. 

Zen and the art of falling off a lot aka redpointing

Tom O’Halloran

As humans we crave a challenge. If it were easy, it’d be boring. I don't want to know when, where and how it’s all going to work out. What an uninspiring way to float through the years. I want to get psyched for the seemingly unattainable, try hard, get kicked, get up and go again. I want to explore how I become a better me. How do I get the best out of myself? The destination is the motivator, but not necessarily the answer. 

 

In climbing the redpoint is what truly motivates me to be better. The anchors are the destination in a sense, though perhaps a checkpoint is a better descriptor. Each time you clip them it’s another challenge met and you become better prepared for the next. I want to be a better climber and climb more routes, to continually challenge what I can do year after year.

 

In my wildest dreams I never thought I’d be where I am today. At 14 I had redpointed 24 and thought if one day I climbed 30, that mythical in the clouds number, I would be the happiest person in the world. I’d never be that good though.

 

Then one day I climbed 30. However there was no great release and feeling I could put my feet up. I was psyched, but wanted more. Maybe a 31? Each time I achieved the next, I wanted the next. I wanted the challenge and process of intense learning that goes with it all. Dealing with the emotions, doubts, highs and lows becomes an addictive game. It gives substance and grit to the experience. The constant development of skills and searching for a tussle that fights back harder than before. Will there be one that kicks back too hard?

my first ‘proper’ 30. Evil Wears no Pants at Mt Coolum in 2010

my first ‘proper’ 30. Evil Wears no Pants at Mt Coolum in 2010

 

At the moment, redpointing is where I feel I can push myself. Finding a line that motivates me to become better and train harder. There have been a few stand out routes over the years. The Wheel of Life, Baker’s Dozen, Kitten Mittens, Little Empty Boat are just a few which made me find something more. Some even made me cry with joy and love for myself. They helped shake away the negative thoughts holding me back, not just in climbing but life in general, but that's another story. All these experiences have culminated in three years of effort down at The Underworld on my project, Hump of Trouble.

topping out the wheel of life. the most incredible feeling

topping out the wheel of life. the most incredible feeling

The quick over view of this is as follows. I went to The Underworld for the first time in 2011 just after I moved to the Blue Mountains from Brisbane. I was inspired by how different the climbing was to the rest of the Mountains. I spent sporadic days there over the years, slowly climbing most of the established lines, which must rate as some of the best around. There was still unclimbed rock, lines yet to be bolted. I set my sight on a few intriguing features and put in bolts in 2014.

 

Two lines, each starting at the same spot, one climbing straight up for five meters to a big break, then a few more meters of easy terrain to the anchor. The other busting out left from the original and taking a line out a steep prow to victory. I dabbled a few attempts just after bolting them but both were waaaaay too hard. In 2016 I went back with gumption and set to work on the straight up. After a few solid days, I climbed the first ascent of Sack of Woe, 34/8c+.

 

Straight after clipping the anchor I hung my draws on the next project. A process I’ve done hundreds of times, literally. This time however, I had unknowingly opened       Pandora’s box. I could hardly do any of the new routes’ 16 moves. I had the first two moves sorted, as it starts as for Sack of Woe, but the sequence changes as you prepare to kick left out to the steep prow. High levels of funk, precision and strength were needed. As well as some help from the weather, very cold dry days were going to be key to getting this done. 

 

My usual redpoint approach is a big picture, broad strokes type deal. I love chasing the feeling and experience of flow. Where body acts independent of the brain and intuition takes control of the wheel. I try really bloody hard when I’m on the wall but there’s ideally not a lot of conscious thought going on. It’s all on feel and subconscious movements. I work out the general flavour of what’s happening, put it in an order then roll the dice a few times until I strike red. Simple. Getting bogged down in details, nuance, and micro bollocks is for the climber who can’t flow, man. Keep it groovy and let the redpoints flow.

 

After seven or eight days I had finally sorted all the moves, which was six or seven days longer than any other route had ever taken. After several more days, two moves in a row were all I could manage, despite trying really, really bloody hard. Why was it not just coming together? I figured it would’ve fallen together by now. In the past, even when things didn't look favourable, I’d just get it done. But it wasn’t happening this time. Things were strange.

 

Trying to stay on the rock for more than a brief moment was only half my issue at this point too. It took nearly half a season to work out how to not hit the ground from mid route. Clipping draws was a legitimate crux, the third draw took half a season to figure out. Skipping was not an option here, if you did you’d break your legs. Skipping bolt four is the only option, through that sequence you can’t take a moment even to breathe. Draw five, your two moves from the final jug but the moves are hard and your body will be smoked. I wasn’t sure whether I’d skip this as well, or burn precious forearm juice trying to clip. I considered bringing a boulder pad down to protect the fall on the last move, then remembered I wasn’t in England. I figured out a way of clipping in the end but golly, it wasn’t easy. The odds were quite quickly stacking up against me and I didn't know which way to kick.

 

Despite all this, I was pretty determined to make it happen. That I was currently up the creek without a paddle, boat, game plan or physical condition didn’t really seem to matter. One day I would climb it. I loved the game.

 

I set to work, keepin’ the vibes chill and sussing out what was happening. Things progressed inch by inch. Each session resulted in a recognisable version of progress and I felt psyched, but also a tad curious as to when the end would come. More than three moves in a row was a good link at this point. I tried everything I could think of to make the climbing easier, but I couldn't stop falling.  I was sure it would happen soon though. Even if the number of clothes I needed to stay warm at the cliff was getting fewer and fewer. Summer was coming.

 

The result of season one was doing all the moves and linking up to 4 moves together. This thing was hard. Like, proper hard. Proper, proper legit hard. I’ve often thought the breakdown must be about seven move V13 into 9 move V13 with absolutely no rest. Season two would be the time though. I’d train, something I’d never needed to do before. One route just lead to the next and my climbing naturally progressed. This was a different cup of tea though, so I needed to extract something different from myself.

 

The plan was to specifically train, get a stack of other routes knocked off, have momentum and make the magic happen. I knew what direction to kick now. Trust me. I could feel it.

 

Season two opened as the streets turned orange, brown and red. I love the feeling of the first cold days. You can taste the sendiness in those gusts.

 

The first days were bloody awesome down there. I was linking sections I’d never done before. This was a more familiar pre-redpoint feeling. Still nothing ground breaking, but it was there. Soon I’d be holding victory. Anticipation is the best.

 

Then nothing. Months went by. I had hit a wall, or perhaps a ceiling, a gigantic slap from above. I couldn’t stick move six from the ground. All I could manage was falling. Everything slowed. A few months earlier the send felt like a formality, now I wasn’t so sure. 

 

trying links in the depths of winter ‘18. Photo Kamil Sustiak

trying links in the depths of winter ‘18. Photo Kamil Sustiak

I’m an eternal optimist when redpointing. I’m that person who has only just done all the moves and thinks, ‘hey, I reckon I could do this next shot!’ Maybe a few days and some good links later, this process would always lead me to success. I followed the same well-trodden path on Hump of Trouble. I had all the moves sorted; I just needed to get lucky. I’ll get in the flow of the route and it’ll happen. Every day was a redpoint day. I was hungry for it. But I kept on falling, over and over again. The redpoint was meant to have happened now. Actually it was meant to happen months ago! But there was nothing. I needed to change tacks otherwise this was insanity.

 

I began delving deeper into the minutia of the route. Breaking down each move and looking at what needed to happen for each move to be done and linked into the next. Where are my hips, where does my elbow need to be, which toe is grabbing that hold? I became more aware of where I was in space and the pieces started to fall together. I consciously moved my body into the next position to make the next move. Links became a little more consistent and longer. Had I found the answer?

 

I think every climb has something to teach you if you let it. Was this my lesson? Did I actually need to start considering the details? I always felt this approach would detract from the intuitive flow to my climbing style. I had so strongly rejected the analytical approach because I wasn’t that type of climber. People had told me how intuitive my climbing looked. I hung my hat on this. Now it seemed, what I had pushed back on so hard was the answer. Really? You can't argue with results. Albeit still shy of a send, progress is progress. I delved deeper.

 

On the last couple of days of the year I finished with two good high points. The best being falling on move 10 of 16. Which was bloody unreal, but also a tad sobering. I had the second half dialled in and felt sure that when I linked the bottom half I’d just fall my way up to the anchor. At that moment on the last day of the season, the enormity of the route kicked in. It had taken me something like 30 days to climb 10 moves in a row, there were still six to go and I had spent everything I had getting to where I was. Those 10 moves were perhaps the hardest piece of climbing I’d ever done and I was only two thirds done. What was I in for?

 

Along came season three, 2019. This was going to be the year. I was going to climb that thing. Oh lordy it was going to be the best thing ever. I trained hard in the lead up to Autumn. I had made measurable progress and could feel that finish jug in my right hand.

 

As with the previous season, I had a very promising start. I made proper progress and within a few days had a new highpoint, then a new highpoint and a new one again. I was so bloody psyched. 

 

Analysing video I was taking of each attempt I could work out why I was coming off. I could see when and how my body was dropping out of position. On the next attempt I’d force into the position and try to snatch the next move. I was cleaning up the lower half of the route as well. Making small adjustments to get it as efficient as possible. Everything was falling into place and I was feeling great. Why had I been so stubbornly resisting this approach? It was gold! I was going to send, baby! I was writing my victory speech now.

 

Then came another wall. I fell on the second last move quite a few times. And when not falling there I was coming off four to five moves lower. I became so incredibly nervous while climbing. Complete with proper hand shakes, gumby foot placements and a maxed out heart rate. I exhausted every calming technique I could think of but still I was climbing like a jitter bug. My issue was I could feel the send. Clipping those anchors was going to mean so much to me. Each go could be the one. I didn’t want to stuff up the send and got way too deep in my head. I over analysed everything and spiralled into a complete wreck. Where had my flow gone?

 

I spent hundreds of nights before sleep, rehearsing sequences and problem solving my falling. Having found the analysis method to be the ‘answer’ last season, I thought that was going to be it. ‘Ok, thanks project; I’ve learnt my lesson now. Time to send. Thank you.’ But I had gone too deep into the rabbit hole. It wasn’t the whole answer.

 

Critical analysis and flow state calm. Can you have progress at your limit by only using one of these approaches? Naively I used to think full dedication to one was the way of the future. Now I see them as symbiotic. The yin and yang of redpointing is the flow of the conscious and subconscious mind. The balance of consciously putting yourself into position to perform through analysis and preparation, then letting your body take over. Let your body surprise the mind with what it can achieve.

 

This realisation left me with a new mindset at the cliff. I felt freeness to the process and trusted what would happen. Rather than strangling out a redpoint by numbers.

 

Progress came quickly. I was consistently at the second last move again and getting very close to snagging the dead point to the small slot. Once you hit the slot, you cut feet and paste a right foot to the left and jump for the final jug. Done.

 

Having now fallen more than 10 times on the second last move I got somewhat used to how it felt. I made every effort to counter this and kept on running laps on the last few moves at the end of each day. So I knew how it felt to hit the move and go to the top.

 

Then I hit the move from the ground. I had the slot in my left hand and had it well. This was it. Three years of effort was now about to be over. The moment I had waited for. In my sleep I had done this move hundreds of times, perhaps a similar number of times in the flesh. I knew what to do. ‘Mate, you’ve just bloody done it. Quick, lets jump to the jug and it will all be over.’ I jumped up, covered the jug with my right hand, then it was gone. What was happening? I was falling. I was meant to be holding the cliff, not being caught by my belayer. I had punted it. I swore. Then swore again. Then sat swinging at the end of the rope in disbelief, then laughed. What was there left to do?

 

The attempt felt no different to any other that day. I was feeling good and in flow, knowing I had done everything I could to put myself in position to do my thing. But for that split second when I caught the move I never had, I lost it. Suddenly I was extremely aware of where I was and what that meant. My conscious mind tripped me up and I fell. I got ahead of myself and lost the moment.

 

As disappointed as I was, I couldn't be too frustrated. I can never get upset with a highpoint on a project. Especially when it’s the hardest piece of climbing I had ever done; new personal best despite a brain snap.

 

The Olympic preparations took over my life after that and I didn’t get back on it for a couple of months. I had one or two days but had lost my specific route shape. Though I was psyched to spend the time back down at my favourite cliff on my favourite piece of climbing.

 

Why do I keep coming back to Hump of Trouble I often wonder? Over the years it’s put me through the ringer of emotions. What is it about the route? I spoke with Vince Day on my podcast Baffle Daysin late 2019. In our chat he talked about his relationship with redpointing as well as other personal and business related challenges he faces in life. He said he loves the fight and the push. Digging his teeth in and the stubborn determination. He knows he can achieve a hell of a lot. Even in the intense, deep abyss of the projecting black hole he kept going back to the fight because he knew he had more to give. What is that?

 

Why do we keep digging in deeper? From the beginning of this process three years ago, I was determined to climb Hump of Trouble. Even with all the bumps and barriers along the way I wanted to keeping going back. My theory is our minds can blank out the ‘failures’ because deep down we know we have more to give.

 

I wonder sometimes whether there is delusion sprinkled along the path to the dangled redpoint carrot. Or a subconscious desire to discover what we are truly capable of. A mixture of the two? Or are they different ends of the same rope?

 

Perhaps we just want the challenge of exploring how far we can go, both in climbing and life. Maybe this way of thinking, means we actually get invested in the big improbable tasks. It’s our mind tricking us into a new space where we will grow and learn. In these situations the end may look completely different to what we first thought. What if I never send? But by having travelled the path I’ve grown.

 

At times, growth can be incredibly tough. The very nature of the idea means you need to explore new places in yourself. Find comfort in the unknown. But that’s what makes it worthwhile. I want to have skin in the game and feel the realness of it all, even if at times it can hurt. I’m sure at some point I’ll invest in a route I’ll never be able to climb. Or follow a life path that hits a dead end. But taking the lessons from this will make me a better partner, Dad, friend and human. I’m pretty psyched for that, however it all plays out.

squeezing as much as I can out of myself. Photo Kamil Sustiak

squeezing as much as I can out of myself. Photo Kamil Sustiak

SYDNEY boulderers throw down

Tom O’Halloran

COVID has been a hard time for everyone. Between people losing their jobs, businesses being forced to close, families being cut off from each other and life in general being totally flipped and cooked upside down.

 

As humans we adapt and make the best of a bad situation. That that doesn’t bend, breaks. Work from home, buy a mountain bike, spend more time with the family or cut sick on some rock projects. The later has been what’s gone down in Sydney boulder scene recently with a few significant sends. So here I present to you a semi complete list of what’s gone down.

 

Daoism, V12. Eli with that feeling when you know its in the bag! First slip, Sam Healy goes up in celebration. Second slip, Liam Healy isn’t too sure yet.

Daoism, V12. Eli with that feeling when you know its in the bag! First slip, Sam Healy goes up in celebration. Second slip, Liam Healy isn’t too sure yet.

Daoism, at the Balkans first climbed by James Scarborough in 2003 and snuck into the guide as V10. People tried it over the years, with some infrequent sends. Chris Webb managed it, Sharik Walker and Al Pryce perhaps? and Tom Farrell more recently. These names are the who’s who in the Australian bouldering Zoo. Considering the problem sits smack in the middle of one of the most popular boulder crags in Sydney you’d expect more repeats if it’s only V10.

 

Recently it’s received some attention from the COVID unemployed. Sam Healy and Elijah Mercado took down the Sydney test piece confirming its #notv10 and probably closer to V12. The sit start is next on the cards for the boys, a few extra moves that Tom Farrell added to the boulder last year which clocked in at V13. We just need Liam, Sam’s twin brother to get up the boulder now for a triple takedown from the three amigos. Sam also climbed Seige Down Under, V11, a boulder to the right of Daoism.

 EDIT: after this went to print? is that the phrase? after it became 1’s and 0’s code? anyway, Liam sent Daoism. Three amigo takedown! Get to work on the sit fellas.

On a non-boulder but equally impressive and Corona related side note, Eli managed a 5 second deadhang on the small edge on Beastmaker 2000 with an added 10kg. That's some enviable hangableness #lockdowngains.

 

Sam Healy continued his purple patch up in the Blue Mountains, with his ascent of an Underworld test piece Sack of Woe, 34/8c+. He spent a good chunk of days last winter season attempting the third ascent but came away empty handed. This year he returned with brother, Liam and they both set to work. After six days this season Liam nabbed the third ascent to the soundtrack of ‘Till I Collapse’ by Eminem. Fifteen minutes later Sam climbed the fourth ascent, choosing ‘Humble’ by Kendrick Lamar as his send tunes. Do the names of the songs mean anything? There are no accidents? Maybe, or they just got psyched and sent hard! Either way it was rad to watch.

 

Sam says the nine-move power drainer is the hardest thing he’s climbed so far. Which is no small statement considering he’s bouldered multiple V13’s and sport routes up to 34. Liam, forever the boulderer, thinks it was hard, but found the 30m endurance eater, Tiger Snatch, 30/8a+ at Elphinstone, to be much harder. Funny stuff. It’ll be cool to see what else the boys decide to tie in to this year.

 

The next day Sam went bouldering in the Ukulore Valley and knocked a monkey off his back, Jack to the Hobo’s V11, a crimpy classic in the Jungfrau sector. He’d tried multiple days coming up just short until making it happen last Sunday. He then set to work on the über classic And the Ass Saw the Angel, V13. In current form, I don’t think it’ll be long before another hard piece of climbing is in his pocket.

Considering we are only a few days into Winter, I predict a bit more sending to come. Exciting times.

Ben Cossey - And The Ass Saw The Angel V13/8B Q&A

Ben Cossey recently knocked off what is probably the hardest boulder in the Blue Mountains, And The Ass Saw the Angel, V13. When Alex Megos climbed the second ascent in 2015 he said it could be V14. It’s a burly boulder with each of the 15 odd moves being properly hard. We fired Ben a few questions to find out a little more.

Ben, great job on knocking off And the Ass Saw the Angel, V13/8B the other day. It’s a boulder you found many years ago, it must have felt good to do. You looked smooth on the send! Can you tell us a bit about it?

Hi there! Cheers. Yes, I found it yonks ago now, so it was nice to do, yeah. I felt pretty good on the send actually because I've been using it as outdoor route training and not really fussinng over the send as such, so I had it dialled as buggery.

I found the area on one of my many wonderings through the Ukulore Valley about 7-8 years ago. When Mylah was little I'd go for a quick quest in search of boulders after getting home from uni but before picking her up from school. It's a really radical dihedral feature. A steady intro of V10/11 leads to quite a hard snatch (the crux) to a hit and miss outro. I wasted tonnes of time on this actually trying a really dicey drive by to a pocket but finally managed to sort the sequence the way you (Tom O’Halloran) do it via a steady rock-over. It's a real classic, if it were in the Gramps I don't imagine Ammagamma would even register on peoples radar as a quality V13.

The try before the send you completely minced up your hand on the final move. You fell off, hand covered in blood and you must have been cooked. Any sane person would’ve called it a day and gone home. What made you pull back on?

The gnarled up hand that didn’t hold him back. No excuses

The gnarled up hand that didn’t hold him back. No excuses

Yeah, it was funny. I actually came off there about 5 times, normally with more blood. My hand got infected and it really hurt to put in the slot for the last move. I had already thrown in the towel, not intending on having another shot because of the wound, but like I was saying before, I've been using the line as route training, sometimes trying various links up to 15 shots a session so I decided just to pull on again for the sake of training, it just happens that I did it.

I have been setting the timer for ten minutes, having a shot as the alarm goes off, by no means enough rest to feel recovered but I think it did the trick over the past few sessions, increasing my capacity and enabling me to make the successful "last ditch effort"in such a sorry state of bloodiness...had I not done it though, I would still have said "hey Siri, set timer for ten minutes", and had a another burn regardless of the infected flesh wound, for the sake of training 😄 

You’ve done a ton of exploring for boulders in the Blue Mountains and been at the forefront of development in the Ukulore. When you first saw this piece of rock, did you think it would hold such a gem?

When I first saw it actually it was pretty dark (because it's deep in the forest) and there is a really fine black lichen on the rock so it was hard to see it for how awesome it really is. I could tell that the rock was schtonkin' so I thought it was likely to be amazing. In the morning light though you see it more clearly and turns out it's pretty good.

There’s also a big link up on that boulder to do. Tell us about it.

There is a V10 to the right and a V11 to the left and there are linking moves between them. So there is the potential to link the whole wall together into a mega-link. I'm not sure if I have the fire-power at the moment to do it but seeing as though I'm using the wall as training for routes it makes sense to pencil this link into the hit-list too. 

What’s got you psyched now the climbing season is kicking off here and you’re obviously in top shape?

Victory beer. Mountain Culture Status Quo hits the spot when you grab the top

Victory beer. Mountain Culture Status Quo hits the spot when you grab the top

Yeah, I'm pretty psyched at the moment. I feel for the first time in ages I have a work/life routine that facilitates some degree of focus on climbing towards my limit again. It's been a bit of a road and a juggle the last few years, so I feel pleased to feel I have some space to try and climb at my limit again, which I'm not sure if I've ever done...to be honest, I feel like a dog with 900 cocks, I'm that psyched.

I'm pretty keen to keep going to the Jungfrau, getting route specific fitness, keep training across the road at Lee's and then get stuck into a route project I have at the Glen called Fixin' To Die. I broke it last year, making it a lot harder at the start. It went from being a two move V11 to a three move V"have only just done the moves"....?13/14, so it'd be nice to spend some time on that, link the boulder first off then keep going into the 34 climbing above that. I think keeping on keeping with regard to the training I'm doing on rock in the Ukulore will put me in good stead for that route. It's a really efficient way to train for me at the moment, getting tonnes of specific fitness in, and it's fun!

Luke Hansen - Alpha Leather 32/8b+ Q&A

Awesome work on sending Alpha Leather, 32/8b+ in Centennial Glen just recently. It’s a Blue Mountains classic test piece and has some crazy history. Is it something you’ve wanted to climb for a while now?

 

Thanks! It’s definitely a good one. I’ve tried it on and off in the past with not much luck, so it’s been on the fridge list for quite a while. The business boils down to a couple of quite burly and reachy moves that I’ve always found quite hard. It was cool to come back to it earlier in the year and be able to do a few of the moves that I hadn’t been able to do before. 

 

Alpha Leather started its life as a chipped route in the 90’s and came in at 27/7c. A bit over 20 years ago a bunch of the routes in the Glen that had been chipped got filled in. It made Alpha Leather a ton harder. How do you feel about the ‘filling in chips’ era?

 

I can see both sides of the arguement. Whilst chipping is not accepted in this day and age, it was common place in the 90s when Alpha Leather was first put up, so in a sense is part of the history of Centennial Glen. I think if a route goes without using the chipped holds, then it should definitely be filled in. With that being said, often a glued in chipped hold is much more ugly and stands out more than the chip itself! Fortunately all of the filled in holds in the Glen are pretty damn hard to spot, so I’m all for the filling. 

 

This is a notoriously bouldery route, with the gyms being closed, how did you get yourself in shape for such powerful climbing?

 

The bouldery upper crux of Alpha Leather, 32/8b+. Photo Lucas Corroto

The bouldery upper crux of Alpha Leather, 32/8b+. Photo Lucas Corroto

Doing a bunch of training on gym rings helped to get a bit stronger in wide positions, which is something I’ve never been great at. The top crux of Alpha Leather involves a compression slap to a poor side pull above your head, and I think the rings helped to keep tension on this move especially. Also, with gyms being closed as well, it has helped to simplify training and be more consistent. There’s less distractions on a fingerboard. 

 

How did it feel to finally clip the anchor? Did you think that would be the go?

 

It was a funny day actually. The morning was quite chilly and conditions felt great, but then out came the sun. Alpha Leather bakes in the sun from about 9am and you need good conditions for that top boulder. I had one go and couldn’t touch either of the crux moves, so wrote the day off as being too warm. But then the clouds came over and saved the day. I had a couple of chocolate digestives to get psyched, tied in and sent. 

 

What’s next on your project radar?

 

I’ve put quite a bit of time into Sitting Bull down at Elphinstone of late, it’s another classic but about 10 times the length of Alpha Leather so I’m not sure how much it will translate… With the colder weather upon us, I’m psyched on venturing down to Nowra for some more steep bouldery climbing too. 

 

 

You’ve recently moved out of a house, into your van and are studying online. What was the thinking in joining the #vanlife life?

 

I’ve always liked the idea of an off-grid tiny home. In 2018 I travelled around Europe in a van, and after that trip I’ve been psyched on trying ‘#vanlife’ back home in Oz.  I bought a little Volkswagen Caddy for Nowra and Grampians trips, but it just didn’t cut the mustard, so I upgraded and moved into a Ford Transit. It’s got all the living essentials, and its been great to be able to park up with some of the best views in the mountains, with climbing right on the door step. Plus, I was trying to find ways to save more for climbing trips, and cutting out rent seemed like a good option!

 I started studying my masters online at the beginning of the year, it’s been really nice to park up and jump in the back to study. After the old COVID-19 chestnut appeared, I procrastinated and had second guesses as to whether the whole van life thing was a good idea, but it’s turned out to be a great way to social distance and much more simple than expected. Just need to get a van hangboard and it’s home!

Here's what you've got!

We’ve all been hit by the Captain Fun-Wrecker 19. In Australia, things haven’t spiralled south in the way we have seen in some countries. However, our weekly gym ritual and craggin’ with pals is now just a memory. It sucks. I miss it.

In an effort to add some sparkle and rainbows to all of our lives, we have compiled the psyche of our community. We asked what you’ve set up at your place to maintain your psyche. We wanted to see your setup, your soundtrack, videos, reading material and when things are all open wide again, where are you frothin’ to get back to.

Our idea was compiling all this together would hopefully help get the rest of the community psyched as well.

Here we have, in no particular order, a whole lot of psyche for you all to froth on.

Stay tuned for who we pick as our favourite and will win some brand new Baffle Days apparel!!

Sage G.

1 - Home setup

SageG.jpg

2 - Sountrack

  • SchoolBoy Q

  • Sylvan LaCue 

3 - Videos

  • Splinter by Ben Pritchard - Best Film EVER!!! If this doesn't get you psyched, then your lost.😂

  • Great Shark Hunt 8a+/8b by Dan Turner - Wicked Good, Ace Boulder!!! 

  • Pretty Strong - Inspiring!!! 

  • Out of Obsession by Dance Turner - Classic. 

4 - Reading material

  • Rock and Ice

5 - When this is all over

  • Great Shark Hunt 8a+/8b in Swizzy!!

  • Alpha Leather (32)!! 

  • Grampians!!! 

 

 

Tom Hodgson

1 - Home Setup

Tom Hodgson,Home Board.jpg

2 - Soundtrack

The soundtrack I specifically have a Spotify playlist called "Climb Harder" It's a mix of Aussie Hardcore, 90's Rap, EDM, Rock and a lil Grime too and songs that i've heard off my favourite climbing films to remind me of the psych! Pretty much every song featured on Jimmy Webb "Possessed" is in the playlist Artists like Beastie Boys, Flume, RATM, Disclosure, Little Simz, ZHU, Slow Thai and too many more

3 - Videos

  • Mellow Climbing (An absolute must, right?)

  • Jimmy Webb Possessed (This brings the psyche HARD for hard bouldering and looking for FA's)

  • Rampage (Who wouldn't want to watch Sharma dominate the US)

  • Chris Sharma Down Under (Watching Chris Sharma take a whip off the top of Groove Train has to make you want to climb the Taipan)

4 - Reading material

  • Vertical Life Magazine 

  • Mastermind - Jerry Moffatt (A current classic! Part book, part journaling it really opens up some perspective on all the under-looked parts of climbing, and actual strategies for coming to terms with fear and doubt. With killer stories from amazing climbers!)

5 - When this is all over

What route/boulder/trip you want to do when all this is over Surely 99% of Australians want to head back to the Grampians right? Although, before this all started I had a 3 week trip to NZ booked to get some climbing down in the land of the long white cloud! Does Flock Hill count as actual climbing? Or just whaling up a boulder. But to pick on of each in Aus? Route - Pooferator (Upper Shipley) Boulder to try - Finish of J2 (It's just the catch, right?)

 

 

Elliot – @braunwithoutabrain

1 -   Home

@braunwithoutabrain.training.JPG

My very limited set up at home. Bike, ghetto bench (four planks of wood), bosu ball (very flat haha), some free weights, a skipping rope and my new low fi trx straps made of some accessory rope fed through the rafters.

2 -  Soundtrack

My own iso dance playlist on Spotify. For some chilled but danceable tunes for keeping the mood high

3 -  Reading material

  • Vertical Life magazine

  • Make or Break

  • Blueys guide for projects... also making sure my injury is well healed. It’s been a perfect opportunity for that

4 -  Video

  • Monique Forestier on tiger cat. If that doesn’t motivate you it’s time for the grave. Other favourite YouTube channels;

  • Dave Macleod (his Scottish accent soothes me to sleep at night)

  • Mellow (strong dude)

  • Rumblr 

  • Cameron Maier 

  • Mani the Monkey for technique breakdown

5 - When this is all over

@braunwithoutabrain.projects.JPG

 

Aron Hailey

1 - Home Setup

AAronHailey.JPG

Just wherever I decide to hang the portable board! Mostly at home but this tree by the beach comes with a step up log to lend a hand. 

2 - Soundtrack

  • Powercompany

  • Baffledays 😉

  • Joe rogan

  • Trainingbeta

Music

  • Nick Mulvey

  • Tom Misch

  • Tame impala

  • Sticky fingers

    3 - Videos

  • Chris sharma's Rampage

  • Kevin Takeshi Smith's Vimeo or anything by him

  • Ben Cossey's Groove train (maybe the best climbing video ever?)

  • Mellow climbing

4 - Reading material

  • The push- Tommy Caldwell

  • Alone on the wall- Alex honnold

  • 9/10 climbers make the same mistake- Dave Macleod

5 - When this is all over

  • The rocky mountains- Alberta Canada

  • Leavenworth - Washington State

  • Just back to the local crag of Squamish

 

Kai Mundsinger

1 - Home setup

kaimundsinger.jpg

Finally got around putting this thing up, two boxes of holds are still waiting to be put on it.

Also working on turning ~3m of pine into holds. Not the best wood for that but works.

 

2 - Soundtrack

  • You Can't Stop Me - Andy Mineo "Make moves or make excuses"

  • Hungry - Rob Bailey

3 - Videos

  • Jan Hojer's training video doing a pinky only front lever

  • Ben Cossey swearing himself up Groove Train is just too good

4 - Reading material

  • Research papers on strength training, (finger) tendon stuff etc.

  • C4HPs instagram posts

5 - When this is all over

I'll have to go Brooyar to do Little Wednesday and after that maybe a trip to the Frankenjura.

 

Raphaela Wiget + Bill Mansfield

1 - Home Setup

We are on compulsory 2 week quarantine in SA luckily we built this a couple years ago(shout out to the best dad ever!)

raphwiget.jpg

2 - Soundtrack

  • cream on chrome by ratatat - bills fav send song

  • any upbeat white gurl pop bangers will usually get me hyped 

3 - Psyche up videos

  • comfort zone with jonathan Siegrist and alex honnold 

  • margo hayes sending la rambla and emily harrington sending golden gate

  • 'The Real Thing' 

4 - Reading material

  • rock warriors way

  • guidebooks for dreaming of future sends 

5 - Where to when we’re free

  • Invisible fist - Grampians 

 

Adrian Mascenon

1 - Home Setup

adrian mascenon.jpg

 The only thing we paid for on this wall was the screws. Every other bit of wood was recycled from something else or found on the side of the road - especially the bed slats! (Don't worry, plywood is in on the way).

We were going to wait to move house before building a wall... that didn't happen so now we have a woody in the living room. Zero excuses.

This wall has and adjustable angle from 20 degrees to as steep as you are brave, and folds out of the way when the PlayStation needs a workout.

 

2 - Soundtrack

  • UKF Drum and Bass link

  • Arkose Bouldering Gym's Spotify Playlists link

 

3 - Psyche up videos

  • Rampage - I love this retro film because it shows some of that the strongest climbers in the world, are really still just normal dudes.

  • The Insiders - Because we're all Inside. 

4. Reading material

5 - When this is all over

I can't wait to get back to Sissy Crag in the North Shore of Sydney. It's where I first fell in love with climbing, so it only seems fitting to return.

 

Lee Corbett

1 - Home Setup

LeeCorbett1.jpg

2 - Soundtrack

Bouldering Bobat's playlist on Spotify. Really good mix, and heaps of songs so I never get annoyed with rotation.

3 - Videos 

  • Bouldering Bobat

  • Erik Karlson (somehow gyms in Sweden are still open!)

  • Magnus Mitbo

  • Lattice Climbing

  • Rockentry

  • Adam Ondra's channel.

4 - Reading material

Don't read anything climbing related. Just read Three Men in a Boat by Jerome K Jerome. If you need a laugh, I recommend it.

 

5 - When this is all over

I really want to get back to Nomad Bouldering where I normally climb at lunch time. Missing the routine and friendly staff.

 

Tim Leong

1 - Home Setup

Tim Leong.jpeg

This is my board. It's half a sheet of ply hooked on a pull up / dips frame. The holds are a mix of chopped up hardwood balls from a furniture wholesaler and various bits of scrap.

 

2 - Soundtrack

I end up listening to Dave Macleod talking about how to hangboard (link) a lot while doing my hangs. Somehow that gets me motivated!

 3 - Videos

Some of the videos I come back to for motivation are these shorts on Malcolm Smith (link), Neil Gresham (link) and Jacky Godoffe (link). Also the one of Ned you mentioned is amazing! What a beautiful board!

 

4 - Reading material

I enjoy reading some of the long articles on UKC like a recent one on Seb Bouin (link). 

 

5 - When this is all over

Super keen to check out Little Babylon in the Darrans at some point, hopefully soon!

 

Ryan Gaskon

1 - Home Setup

Ryan Gaskon1.jpeg

I actually built this wall a little over a year ago when I was in Central Australia and in the time since then I've invested in holds for it. There's no gyms whatsoever in the Red Centre so I figured I might as well make one of my own. It's 4.5 metres wide, 3m high and 45 degrees exactly, and I've got holds from all around the world on it including local manufacturers and World Cup hold companies.

 

However since the lockdown occurred I've been in the Flinders Rangers National Park and given I don't know when the lockdown will end I  had it disassembled, shipped down and I've just finished putting it back up, complete with elephant balls and my hangboard on the back side - working at getting some TRX stuff going as well.

 

2 - Soundtrack

I've got a public playlist on Spotify that I created for sessions on this wall which has over 120 of my favourite psyche tracks. Lot of Glitch, old school funk and a fair amount of Australian Rap as well. Anything done by Seth Sentry gets me psyched! The playlist is called Chuggy's Climbing Collection if anyone's interested in checking it out. 

 

3 - Videos

I'm fortunate enough to have a few of Big Up productions work on my hard drive - a few old Reel Rock films, First Ascent and King Lines. The Dawn Wall is just the absolute best climbing film I've ever seen, while closer to home the film Smitten is a crack up and The Lorax Project by my good friend Pete about climbing and BASE jumping off a peak in Tassie is pretty cool as well. Meanwhile on YouTube Mellow Climbing puts out heaps of good content, while Eddy Mofardin's channel has heaps of classic hard climbs at my favourite climbing area in the country - Arapiles. 

 

4 - Reading material

Mostly I've just been reading guidebooks. I had only just started a 6 month outdoor climbing trip when the lockdown hit, so I've been scouring the Moonarie, Arapiles and Blue Mountains guides to pick out projects for when the lockdown lifts and I can resume my trip

 

5 - When this is all over

I'm beyond psyched to get back on Punks In The Gym at Arapiles. I'd only just started working it and figuring out the moves when the campground was closed and I had to leave. It's such a legendary climb and taught me so much about the intricacies of outdoor climbing even in just the short time I had on it. I've been dreaming about the moves at night so it's the first thing I'm getting back on when the lockdown lifts!

 

Ash Thomas

1 - Home Setup

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2 - Soundtrack

Anything as long as there is coffee.

3 - Videos

  • Mellow on youtube

  • Isaac Buckley on Vimeo

  • Anything Webb or Fultz

4 - Reading material

  • Jerry Moffatt Mastermind and Revelations

  • Baffledays

  • Power Company Climbing

5 - When this is all over

Body Battle, Eyes on the pies and unleashed.

 

Tracking your training

By Tom O’Halloran

I was never one for recording my training. I don’t know why, I just never bothered. Actually that’s a lie, I just never really considered what I did was training, so what was the point of tracking ‘not training.’ I fingerboarded sporadically, had random boulder sessions and a couple days at the cliff.

 

My training pad

My training pad

At some point a couple of years ago I decided to track it. Nothing too detailed. Just a few notes on how each session felt and a general overview of the session.  Surprisingly I gained a lot out of this process and it has evolved over the years. The crux of it has been a better self-awareness and analytical approach. My climbing has become far better for this.

 

A simple example may be as follows.

 

Gym - Warm up, progressive boulders up to V6, tried orange and black boulders for 60min, couple of moderates to finish. Session was about 2.5hrs.

 

Cliff days - Warm up on Route A x2, 1x bolt to bolt on proj, 3x redpoint burns, fell on upper crux drive-by twice. Go two felt grea and not nearly as pumped, 3rd attempt fell at crux two. Best consistency so far. Warm down two laps on Route A.

 

Fingerboard. Repeaters half crimp, 3 sets, plus 10kg, 9/10 effort. Slopers, 3 sets at body weight 8.5/10 effort. Three finger drag, 2 sets at body weight 9/10 effort, tweak in right hand ring finger. Didn't do set 3.

 

They are easy notes to sketch down and actually show a little but more info than I would have noticed otherwise. While blowing through random sessions you don't really take a moment to assess what’s happening. By being forced to even write down the most surface level points of your session or day at the cliff you can reveal patterns, success and points to work on or be aware of.

 

Perhaps you’ve been climbing on oranges and blacks at the gym for the last 12 months. Your notes may show you are now able to sustain a longer portion of your session at this level. That’s progress and probably something you wouldn’t have been aware of otherwise. It could be time you added in a few attempts on the next colour level.

 

The same goes for our outdoor example. Rather than tracking just a single high point, we can look at the consistency of the day as a whole. Equaling a highpoint twice in a day followed by another solid burn on attempt three may be great progress compared to previous days. Writing down the quantity of quality climbing also gives clues to how fit we are in a whole day sense. In three years time this could be fantastic information to have. We may be trying to dig ourselves out of a slump and having these notes as well as ones from recent training sessions gives us a clear pathway of what we are working towards. Rather than a vague, ‘I want to get back to Route D shape,’ statement. You can follow the path you know worked to get you there again!

 

In the third example, tracking strength and fingerboard numbers works much the same as what I’ve written above. A measure of perceived effort at ‘X’ work load being slowly built up over a number of sessions. The self-reflection in the session will also give you space to be aware of any tweaks or strains in your body during the exercises. Previously you may have felt the tweak in your ring finger, thought nothing of it and decided to end the exercise. Looking back through notes however, the tweak may be the result of too much fingerboarding and hard climbing in the past months with minimal rest, pushing and pushing because the redpoint is right there. With this information, we can see how long it’s been since we’ve taken a good rest or even just switched our training stimulus. The trick is to recognise these injuries and overtraining patterns before they turn into an issue. If you can do this, your climbing will be exponentially better off.

 

I take an analog approach to my recording. My training notepad and pen are always in my training bag getting chalked and sweated on in the moment. But some folk prefer the digital method of spreadsheets. I find spreadsheets to be frustrating to use and becomes another job to do after I’ve finished my session. Admittedly I have seen some rather enviable graphs and data spat out of the spreadsheets which make me sometimes consider jumping into the new age. If you’re clever enough you can create a spreadsheet which will track just about anything from moves climbed, to liters of water consumed and work out all the correlations you can dream of. For now though, I’m sticking with pen and paper.

 

A few easy things to track may be the following:

some old notes

some old notes

Length of session: How long are you at the gym/crag for. And how long were you ACTUALLY climbing?

Moves/reps: How many moves or reps (easy and hard) did you do?

 

If you want to get more technical you could start adding in some of these:

Perceived exertion: How did you feel after the session/rep/redpoint burn etc? Is the weight now feeling easy? Still working hard? This will help inform what your next session will look like. 

Injury/body tweaks: Did anything feel off or tweaky? Perhaps adjusting your session or overall plan may be necessary.

nothing flash but it gives me an idea of what I was doing. what was working and how things felt. priceless resource

nothing flash but it gives me an idea of what I was doing. what was working and how things felt. priceless resource

How you feel going into the session: Tracking this may give clues to over training and general life fatigue and will help you moderate the difficulty of your session and overall training load on a larger scale.

Food you’ve consumed: Fuelling your sessions properly is critical to good performance and injury prevention. Post training food is also critical for recovery. Don’t forget to hydrate as well. A pattern may reveal itself between performance and proper or improper fuelling.

Weather conditions: Conditions, especially outdoors, play a huge role in performance. A hot, sweaty day is going to look different to a crisp day regardless of your physical condition. A poor performance day may look disheartening on paper if you haven't made note of the 35 degree heat and lack of wind. 

 

There are literally limitless possible metrics to track. Choose whatever you think is worthwhile for you and your performance and training goals. Perhaps how long you were distracted by social media during the session or how aware of your breathing you were or how many times you placed your feet properly.

 

If you are new to this, start simple, with pen and paper and come up with a few simple metrics. When you have the flow with the basics, you may want to get more in depth. Tracking my training and climbing days, even in a very surface level way has been extremely beneficial to my progress, psyche and injury prevention. Why not give it a go and let us know what you’re tracking.

 

Have fun!

Show us what you've got!

Have no fear though folks. We are trying to get on top of this deep muddy swampy situation and share some psyche and positivity.

Training walls, hang boards and home gyms are being installed all across the world! There’s some kick ass setups people have done. From unique uses of space, architectural masterpieces and barebones no frills strong boards, thousands of people have been gluing and screwing wood together to keep sanity and atrophy at bay. Many people have taken this opportunity to set themselves up with some really great training areas.

Have you got yourself a training setup at home? Are you planning on making something? Show us what you’ve built to keep motivated in this crazy time and we’ll share them right here on the website. Share your beta and help inspires others to keep psyched! Your set up doesn’t need to be wiz bang schmick. Simple, unique, rustic, use of space, colour scheme. Your setup may be the one that inspires someone else. We will send out prizes to our favourite entries! Comp ends at the end of April!

Just send us the following:

1️⃣a pic of your set up

2️⃣the sound track to keep you frothin’

3️⃣your top psyche up movies, YouTube videos etc

4️⃣the websites, books and magazines you love reading

5️⃣what route/boulder/trip you want to do when all this is over

Also, please tell us you instagram page so we can tag you!

email your submissions to podcast@baffledays.com.au

Tom’s answers:

1 - Photos of set up

Amanda having the first session on our wall.

Amanda having the first session on our wall.

2 - Soundtrack:

  • Decomposed Radio podcast (Sheffield climbers techno mixes)

  • Monolink

  • Grinderman

3 -Psyche up videos

4 - Reading material

  • Vertical Life mag

  • I haven’t actually read these. Apparently they are good though, so its an aspirational list :). Climbers’ biographies and autobiographies Jerry Moffat, Mike Law, Andy Pollit, Tommy Caldwell

5 - I can’t wait to get the Grampians! France too :)

email your submissions to podcast@baffledays.com.au

Get wild with your entries. Points for creativity, fruitiness and the absolutely insane.

Stay safe, be kind, have fun.

Oceania Championships postponed. Plus some good news

The Oceania Climbing Championships due to run 28/9 March, have now officially postponed. Last night the International Federation of Sport Climbing made the call, along with local officials involved in the Oceania competition. The event was to be the final chance for athletes from the Oceania region to qualify for the Tokyo 2020 Olympic Games.

 Late last week the competition looked to still be going ahead with controls being put in place to keep athletes safe. After Scott Morrison announced a mandatory 14 day self isolation for anyone arriving into Australia as of midnight Monday 16th, the likelihood of Oceania going ahead seemed zero. The isolation would mean any athletes travelling from overseas would be unable to compete.

 The African Championships were also postponed overnight, meaning all Continental Championships have been postponed, aside from Pan America that finished 1stMarch. Earlier this month the Euro and Asian championships were postponed as well. The Asian Champs were initially rescheduled for 25 April to 3 May, however these have been postponed again. Euro Champs have been postponed to 15-22 June.\

No date has been announced for the rescheduled Oceania event.

 Much of the first half of the IFSC world cup season has also been moved to the second half of the year. A move which needed to be made but will be interesting as many athletes had planned on using the World Cup events as warm ups for the Olympics.

Currently the Olympics are still going ahead as planned. There’s still a few months until it officially kicks off which should hopefully be enough time for things to come under control. One extreme measure which could play out is a crowdless games.

Pushing aside the bad news, we all need to brace ourselves for some big things in the outdoor world now. Many of the top Australian athletes are also outdoor climbers and having been cooped up indoors for the past months training their guts out, there’s a strong chance we will see some hard climbing go down. I’m excited.

 For a full list of the effected IFSC comps visit the link below.

 https://www.ifsc-climbing.org/index.php/news/319-update-on-ifsc-competitions

 

 

Oceania Climbing Training Camp 2020

By Tom O'Halloran. All uncredited photos Tara Davidson

The weekend just gone (29 Feb, 1 March) was the Oceania training camp held at Villawood Climbing Gym in Sydney. The camp was a competition simulation for the Oceania Championships that will be held 28/29 March at the same location. Athletes attended to help with preparations for what may be the biggest climbing competition in Oceania history. Twenty athletes per gender, from Australia and New Zealand will compete together over two massive days. The winner from each gender is given a spot in their Nation’s Olympic team for the Tokyo 2020 Olympic Games.

Siobhan Dobie women’s lead

Siobhan Dobie women’s lead

The format of the Olympic competition is unique, never before seen in climbing. All three competition disciplines, speed, boulder and lead, are combined into one event. The same format all Olympic climbing qualification events must follow. This format was a divisive decision when first announced. Many of the difficulty climbers weren’t psyched with speed being lumped in on the more ‘pure’ forms of climbing. The speed climbers, well they are specialists in that discipline and many are not particularly good at either boulder or lead. They were going to be severely disadvantaged. Opinions were divided.

Action blurs women’s speed. Cirrus Tan and Roxy Perry. Photo T O’Halloran

Action blurs women’s speed. Cirrus Tan and Roxy Perry. Photo T O’Halloran

The controversy came about when climbing made it into the Olympics. The International Olympic Committee, when they accepted climbing into Tokyo 2020, awarded Sport Climbing one set of medals. So the International Federation of Sport Climbing (IFSC) had a tough decision to make. Which discipline do they put into the Olympics? Lead is arguably the most pure form of climbing but it can be pretty boring to the untrained eye, read, the general public. General public = advertising dollars. The new style bouldering format is a fantastic spectacle with its huge dynamic moves and down to the wire moments but can be a long event. Speed is definitely the most general public friendly, fast paced, wham wham wham action but has a stigma attached to it by most of the climbing community. Many with the opinion it doesn't represent the true core of our sport.

As an aside, I find this up turned nose attitude pretty contradictory. Fastest times on routes are a proud tradition across the world. The Nose speed record being the pinnacle of this. An achievement which apparently embodies the long proud history of traditional climbing? To ‘climb’ The Nose fast, you pull on more bolts, pitons and cams than I’ve had bleeding fingers and let me tell you, my skin is kitten weak! So really, competition speed climbers do more ‘pure’ climbing in their event than the Yosemite big wall guns.

But I digress. Essentially rather than selecting just one discipline, the IFSC decided to combine all three. The whole world will see everything climbing has to offer. Also making a more compelling argument in the future when we petition for another set of medals. IFSC won’t need to prove what another disciplines looks like. Just take what is already tried and tested and make it a stand-alone event.

I also like this format, as it truly is a test of the best climber. The question of who sits a top the throne of bestness in the world of climbing is thrown around often. What metric do we use? My favorite is who performs the best across all disciplines. This is what is truly being tested in the Olympic format. Who finishes the day with the best ranking after competing in three very different version of climbing.

The ins and out of the format are complicated and don’t need to be nutted out here, all you need to know is this. On finals day there will be 8 athletes. They will compete in a speed competition and are ranked from 1 to 8 at the end. They then do a boulder round and based on scores are ranked from 1 to 8 again. After that its lead time and rankings are awarded again. Your ranking in each of the individual disciplines is then multiplied together to give you a final ranking score. So if an athlete place 5th in speed, 3rd in boulder and 4th in lead, the math would be 5 X 3 X 4. Resulting in a score of 60. If another climber placed 2nd in speed, 2nd in boulder and 3rd in lead they will have a score of 12. All climbers are then ranked according to this final score and the winner is the climber with the lowest score. Happy days!

Chase Gatland and Tom O’Halloran during the boulder round

Chase Gatland and Tom O’Halloran during the boulder round

Team work between the countries. Chase Gatland NZ and Tom Farrell Aust

Team work between the countries. Chase Gatland NZ and Tom Farrell Aust

From an athlete point of view, the on-the-day complication with a format like this, is the on off process for your body and mind. Qualification day for Oceania will be a 10 hour epic! Maintaining energy, fuel and arousal levels is key. Plus the energy systems and parts of your body necessary to compete well in each event are hugely different. You need to get explosive for speed. Bouldering requires coordination, finger recruitment and a full body growl ready to go. Then lead, well you needed to get prepared to pump lots of oxygenated blood to coke bottled forearms. It's tricky.

You don’t want to overdo a warm up and be too tired for the next round. Nor do you want to under do it and get a flash pump or have shoulders that aren’t ready for an iron cross dyno. Then you need to make sure your nutrition is dialed in so you maintain energy levels across the two-day event. Not enough and you’ll bonk, experiment with spicy bean burritos and your guts might be doing back flips while you try and balance across a slab.

During the competition all climbers will live in a isolation/warm up zone. A segregated area where no one from the public are allowed in. Climbers only emerge for route viewing and when it’s their turn to climb. Rules of what you can and can’t bring in there also apply. The main items you cannot bring in are phones, iPads, laptops, smart watches, essentially anything you could use to communicate with the outside world, or the outside world with you. I haven’t seen anything in the rules about carrier pigeons, but I’d assume they’re out too. The aim is to make it an even playing field for everyone. No cheating by having your coach send you beta updates or sneaky videos of what other climbers have done. If you are caught with any of these items you are immediately given a red card and are disqualified. Most climbers bring in iPod shuffles, magazines, books or cards. Things to keep your mind busy and maybe distracted from the intensity around you.

Warm up zone. Photo T O’Halloran

Warm up zone. Photo T O’Halloran

Some of the younger competitors even bring homework into isolation. Photo T O’Halloran

Some of the younger competitors even bring homework into isolation. Photo T O’Halloran

So back to the camp! Day one we had the simulation of a qualification round. Speed was up first as discipline one where you do two practice/warm up runs, to help get your eye in. Followed by two timed runs. There are no head to head races that day, but you are ranked according to your time with the other competitors.

Bouldering is next with four boulder problems. You can fall as many times as you like, however the least number of falls the better. You start from the designated start position each time and cannot touch any holds other than the start holds while you are on the mats. One at a time, climbers come out of the isolation zone and have 5 minutes to climb boulder one. After boulder one, you rest for 5 minutes with your back turned to the wall while climber two comes out of the isolation zone and attempts boulder one. After this you move to boulder two, while climber two rests and climber three attempts boulder one for the first time. This continues until all climbers have attempted all four boulders. Make sense?

Not all serious business. Sometimes it can be fun. Leah Jefferies cracks a smile mid boulder

Not all serious business. Sometimes it can be fun. Leah Jefferies cracks a smile mid boulder

Siobhan Dobie women’s boulder action. Photo T O’Halloran

Siobhan Dobie women’s boulder action. Photo T O’Halloran

Sian Moffitt women’s bouldering

Sian Moffitt women’s bouldering

After this it’s lead time. Climbers are given 6 minutes as a group to view the previously unseen climb and try to come up with a sequence. Then one at a time each climber comes out of isolation and has 6 minutes to climb as far as they can up the route. The higher you climb, the points you get. It’s a big day! On comp day, only the top 8 climbers, based on the multiplication math mentioned above, will make it through to finals day.

Day two of the training camp was a simulation of finals day. Speed started the day where the fastest climber from the top 8, raced against the slowest. Second fastest against the second slowest etc etc. Based on whether you won or lost your first race you moved into the top 4 bracket or bottom 4 bracket for round 2. Top 4 race through round two and three to decided placings and bottom 4 do the same for places 5-8. If you won race 1, won race 2 and won race 3, you are placed first. Three losses and you are 8th. Win, loss, win and you are 3rd. Hope this makes sense.

Bouldering is next, but this time it’s three boulders and only four minutes to climb them. However all climbers are given a group viewing of 2 minutes per boulder. Then climbers come out of isolation one at a time to try to climb boulder one. Once all climbers have attempted boulder one, they move to boulder two, then to boulder three.

Lead is the same as day one; six minute viewing, six minutes to climb. One climber at a time.

Tom O’Halloran men’s lead

Tom O’Halloran men’s lead

Lucy Stirling women’s lead

Lucy Stirling women’s lead

Tom Farrell men’s lead

Tom Farrell men’s lead

After the last climbers are off the wall, scores are multiplied and the winners announced.

Before climbing began on day two, Amanda Watts gave the athletes a nutrition presentation. Nutrition is what is going to fuel the machine on game day and having this optimised is a game changer. Everything consumed needs to be playing a role. Amanda broke down how athletes could optimally fuel themselves over the course of the two days. Not only looking at the science of the macro nutrients like carbs, protein and fats and their important roles in performance. But also how to practically put that into action on the day, depending on how you might like to eat. Can you sit down to a big sandwich and milk shake, or will you be snacking on bars and sipping sports drink? Nutrition is an often overlooked aspect in comp day planning, which seems crazy once you realise its importance. I think all the athletes came away from the presentation with a far clearer idea of what they will be doing on the day. It was an invaluable session.

Thank you to Villawood Climbing Gym and Sport Climbing Australia (SCA) for putting this camp on for the athletes. As I said before, being a new format, none of us are well practiced with how to prepare our bodies and minds for the course of the massive weekend. So the opportunity for a dry run of this was invaluable. I learnt a lot and feel a ton more comfortable going into the proper event.

When your’e on the wall, climbing is an individual sport. But it takes a team to get you there. Without the help from SCA, Villawood climbing gym, route setters and other volunteers this wouldn’t have been possible. They are the people that help elevate the athletes. I have a good feeling for the future of Australian competition climbing.

In less than a month, one male and one female from the Oceania region will be given a ticket to the Tokyo 2020 Olympic Games. It's history in the making and I’m damn proud to be a part of it.

Climber and coach contemplation. How will it all turn out? Lucy Stirling and Duncan Brown

Climber and coach contemplation. How will it all turn out? Lucy Stirling and Duncan Brown